貝多芬:第五號交響曲、葛賽克:17段交響曲/羅斯 指揮 世紀樂團

貝多芬:第五號交響曲/葛賽克:17段交響曲
羅斯 指揮世紀樂團

'從黑暗到光明….然後命運來敲門' 據說是來自於這位作曲家的引述和最瘋狂浪漫派的詮釋. 自從首度公演以來, 我們無法估算有多少伴隨著貝多芬第五號交響曲的評論. 因此, 如果我們乾脆回到最原始的樂譜又會是如何? 如果我們能夠接受在法國大革命的影響下前提的想法(例如在葛賽克輝煌作品的具體表現), 是貝多芬的音樂本身就完全是革命性的, 這是芳斯瓦-澤維爾.羅斯和他的世紀樂團想要提醒我們的一點.

'From darkness to light' . . . 'Thus Fate knocks at the door': what with alleged quotations from the composer and the wildest Romantic interpretations, it would be impossible to enumerate all the commentaries that have accompanied 'The Fifth' ever since its premiere. So, what if we simply went back to the original score? What if we accepted the idea that, in a context influenced by the French Revolution (as embodied by the brilliant Gossec), it was Beethoven's music itself that was totally revolutionary, as Francois-Xavier Roth and his orchestra Les Siecles like to remind us?