The New York Times has praised violinist Miranda Cuckson’s “undeniable musicality,” while Gramophone has declared her “an artist to be reckoned with.” Born in Australia and educated in America, she makes her ECM New Series debut – alongside pianist Blair McMillen – with three 20th-century milestones: the Hungarian Béla Bartók’s Violin Sonata No. 2 (1922), the Russian Alfred Schnittke’s Violin Sonata No. 2 “Quasi una Sonata” (1968) and the Pole Witold Lutoslawski’s Partita for Violin and Piano (1984). “Bringing these great Slavic composers together enables us to hear each dealing with the dichotomies of form and spontaneity, playfulness and seriousness, folk expression and abstraction,” Cuckson explains. “The colors and traits of Slavic ethnic music are vibrantly in the foreground in Bartók’s music, more subsumed into abstraction and flavor in the Schnittke and Lutoslawski. Humor is a tool of provocation and survival in Schnittke and to some extent Lutoslawski, a cheeky attitude anchored by deep purpose. In Bartók, the boisterousness and teasing charm of folk dances gives way to moods of profound melancholy.”
BÉLA BARTÓK - DEUXIÈME SONATE SZ. 76
1
Molto moderato
08:48
2
Allegretto
12:47
ALFRED SCHNITTKE -
3
Sonata No. 2 (quasi una Sonata)
22:29
WITOLD LUTOSLAWSKI - PARTITA FOR VIOLIN AND PIANO
4
Allegro giusto
04:11
5
Ad libitum
01:10
6
Largo
07:12
7
Ad libitum
00:50
8
Presto
04:18